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Psychological Characteristics of Sound: (1) Pitch The psychological characteristics of sound explain the contents that humans feel directly through their ears through experience of music and sound. Listeners are very sensitive to minute changes in the pitch, making it easy to recognize the...
Mastering: The Final Frontier (1) Mastering a final mix means to maximize the audio of the mix and prepare it for duplication on CD. Several steps are involved in this process. These steps change depending on the situation. The mastering process can be applied during the mi...
Time-Modulated Effects Phasing, Flanging, Chorusing, and electronic double tracking are all effects that come under the same heading: Time-Modulated delays. What the effect processor is doing is changing the input signal's time delay dynamically (i.e. over time),...
Historic Synthesizer: Roland D-50 (1) Roland D-50 created sound in a new way called the L.A. Synthesis (Linear Arithmetic Synthesis). The D-50 is a digital synthesizer whose operations and structures are made up of digital processing. In 1987, when the D-50 was first introduced...
[Acoustics] Lab 10: Plucked Guitar with Pick / without Pick This video demonstrates the concept of the Attack, Decay, Sustain, and Release (ADSR) envelope and how it relates to how we describe sounds. These examples are the same instrument with different ADSR characteristics (peak-to-average ratios,...

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Psychological Characteristics of Sound: (1) Pitch: The psychological characteristics of sound explain the contents that humans feel directly through their ears through experience of music and sound. Listeners are very sensitive to minute changes in the pitch, making it easy to recognize the difference in...

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Historic Synthesizer: Roland D-50 (1): Roland D-50 created sound in a new way called the L.A. Synthesis (Linear Arithmetic Synthesis). The D-50 is a digital synthesizer whose operations and structures are made up of digital processing. In 1987, when the D-50 was first introduced, there was a p...

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The Basics of Synchronization and Time Code (5): 1. Time Base (Speed): The heartbeat of the system. This can be either house sync or word clock. SMPTE can also provide the time base. 2. Address (Location): Exactly where in time the master device is at. It is displayed in the 00:00:00:00 format. Address ...

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Synthesizer: The Functions of Filter (6): Synthesizer: The Functions of Filter (6) 5. Organic coupling with various synthesizer modulators- The filter of the synthesizer can be modulated in various ways by various controllers of the synthesizer.- The amount of cut-off in the filter can be contro...

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Time-Modulated Effects: Phasing, Flanging, Chorusing, and electronic double tracking are all effects that come under the same heading: Time-Modulated delays. What the effect processor is doing is changing the input signal's time delay dynamically (i.e. over time), and then addin...

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Review: Reverb Parameters: This parameter controls how long it takes the input signal to go into the reverb device. It is used to represent what happens in real life. A direct signal coming from a sound source will naturally take some amount of time before it reaches a surface to b...

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Types of Reverb: Acoustic (natural) Reverb: Reflections of a sound from environmental surfaces (rooms, halls, canyons, etc.). Live Chamber: Artificial reverb created by sending a sound into an acoustically "live" room via a loudspeaker and returned to the mixing...

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Mastering: The Final Frontier (1): Mastering a final mix means to maximize the audio of the mix and prepare it for duplication on CD. Several steps are involved in this process. These steps change depending on the situation. The mastering process can be applied during the mixing session or...

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Review: Expander Parameters: The expansion ratio establishes the proportion of change between the input and output levels. A 1:5 ratio means that for every 1 dB of input level decrease below threshold, the expander output will decrease 5 dB. A 1:10 ratio means that a 1 dB input decre...

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Why Use Gates/Expanders?: When you are recording more than one live musician with more than one microphone, there will be some amount of leakage from one instrument into other's microphone (unless, of course, they are placed in separate rooms). Leakage commonly occurs when you are...

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Review: Compression Parameters: Threshold: Signal level at which the compressor's gain reduction "kicks in". Ratio:Determines the amount of gain reduction for signals above the threshold. It can be thought of as the difference between input and output. It is actually the ratio...

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Independent Label Recording Agreement (7): If a dispute arises under this Agreement, the parties agree to first try to resolve the dispute with the help of a mutually agreed upon mediator in _____. Any costs and fees other than attorney fees shall be shared equally by the parties. If it proves imp...

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Tape Delay: Since the early dawn of recorded music, people have been finding ways to incorporate a delayed signal into an audio production of one sort of another. In the 1940's Les Paul got a delay effect from a record by using 2 tone arms on one disc. Early radio pr...

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Record Label Contacts (10): Madeleine Music Indie Pop Seogyo dong 343-6, 5F Mapo Gu, Seoul, South Korea http://www.madeleinemusic.co.kr Dong Soo Lee (General Manager, Producer) contact: Tel: +82 70 8882 2041 E-mail: [email protected]

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Synthesizer: The Functions of Filter (5): Synthesizer: The Functions of Filter (5) 4. Means for controlling volume- The filter results in an inevitable change in volume by controlling the passing partial frequency.- When you close the filter 100%, there is no sound at all; on the contrary, if ...

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Mix: Equalization (EQ): A common mistake that novices make is to try to EQ'ing before they don't even know exactly the sound they really want through mixing. You should never touch the equalizer until you decide what the sound you really want is and think about the part you want...

Product News

: Blue Lab's New Plug-in 'Chroma' has been released Chroma is a chromagram visualization plugin. It displays information about musical notes contained in a musical sound. It can be used for example to help chords identification, or to help transcribing a track to a score.

Product News

: Focusrite Launches 'Scarlett 3rd Gen' The most updated version of Focusrite's best-selling USB Audio Interface

Product News

: ROLI Introduces 'LUMI' - The Illuminated Portable and Expandable Keyboard LUMI takes music from black and white to technicolor. You can see it the moment you turn on LUMI Keys. The world’s first modular, fully illuminated keyboard is different from any other you’ve seen.FULL-COLOR ILLUMINATIONPlay anywhere. LUMI Keys glows, ev

Product News

: Softube Announces It's New Synth 'Monoment Bass' Modern Bass. Mix-ready Bass. Monoment Bass. In the modern day, music production leans more heavily on bass than ever before. Although track counts can number a hundred or more, often the core of a song is built around little more than a beat, a vocal, and

Product News

: Antares ships its new product 'Auto-Tune EFX+' Auto-Tune EFX+Auto-Tune EFX+ is a versatile new vocal production tool, which combines the core features of Auto-Tune with the powerful Auto-EFX multi-effects rack, and Auto-Motion pitch-shifting melodic pattern generator.It includes professional qual

Product News

: Audient Releases 'NERO' Desktop Monitor Controller Audient Releases 'NERO' Desktop Monitor Controller Building on over 20 years of expertise in analogue console heritage, Nero has been designed to give you powerful control over your monitoring. Featuring a comprehensive range of I/O, console style monitor

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QUIZ

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Mixing (Quiz #2)

Lab

: [Acoustics] Lab 10: Plucked Guitar with Pick / without Pick

: [Recording] Lab 9: Guitar Note Compression

: [Recording] Lab 8: Automate A Left-Right Pan of The Lead Guitar At The Outro

: [Acoustics] Lab 7: ADSR Envelope Generator

: [Acoustics] Lab 6: Comb Filtering on White Noise

Most Read

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Psychological Characteristics of Sound: (1) Pitch

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Resampling (Sample Rate Conversion)

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Time-Modulated Effects

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Synthesizer: The Functions of Filter (6)

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Review #3 (OP Amp, Cable)

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Historic Synthesizer: Roland D-50 (1)

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The Basics of Synchronization and Time Code (5)

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Review: Reverb Parameters

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Mastering: The Final Frontier (1)

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