The Music Telegraph : MIDI > 1 page

Start Page　l　Favorite　l　RSS　l　Edited 2025.03.27 [18:25]

All articles　l　Log in　l　ID/PW Find

Subscribe

Music
Acoustics
Audio Engineering
Digital Audio
Recording
MIDI
Music Business
Lab
Product News

MIDI

MIDI

MIDI is 'Data format' (1): About MIDI Message; MIDI Message || MIDI Bytes: 1. Status byte, 2. Data byte / MIDI Interface: 1. Serial Interface, 2. Parallel Interface - Read data in bulk, more expensive than serial interface / *MIDI messages are made up of groups of “8-bit words”(kn ... / The Music Telegraph

Understanding Synthesizer Filters: Shaping Sound through Overtone Manipulation: A synthesizer filter is a crucial component in sound design, as it processes the audio signal passing through it by selectively removing, attenuating, or sometimes emphasizing sepcific overtones. By a ...; The Music Telegraph | 2025.03.10 14:21

Create Your Own Version of Synth Patch Using a Synthesizer: Creating synth patch is more of a "discovery" approach rather than a "how-to" guide, unlike many others you may have encountered. The key focus here is not just following instructi ...; The Music Telegraph | 2025.02.24 14:29

Exploring Synthesis: (4) ReSynthesized Pulse Code Modulation: RS-PCM stands for ReSynthesized Pulse Code Modulation. Pulse Code Modulation (PCM) is a method used to digitally record waveforms. RS-PCM is a synthesis method developed by Roland in the late 1980s. R ...; The Music Telegraph | 2024.12.14 13:48

The Birth of Synthesizer: In 1897, Thaddeus Cahill created the world's first electric synthesizer, the Telharmonium. Telharmonium was built with 36 keys and could only produce sine waves. In 1923, Leon Theremin invented the Th ...; The Music Telegraph | 2024.10.01 14:13

Exploring Synthesis (3): Phase Distortion Synthesis: Phase Distortion Synthesis (PDS) is a method introduced by Casio in their digital synthesizers (CZ series synthesizers) released in 1984, combining the characteristics of FM synthesis with subtractive ...; The Music Telegraph | 2024.09.06 15:38

Example of Synthesizer's Parameter Use: Legato Mode: When you play a note before releasing the previous note, the ADSR does not activate. Portamento: When you play notes legato, the synthesizer glides through all frequencies before settling ...; The Music Telegraph | 2024.05.20 17:35

Exploring Synthesis (2): Karplus-Strong Synthesis: Karplus-Strong synthesis, developed by Kevin Karplus and Alexander Strong, is a type of physical modeling for creating very realistic string instrument sounds. Karplus-Strong synthesis once creates a ...; The Music Telegraph | 2024.04.29 12:34

Acoustic Implementation with Multi-Sampling: Sampling is the process of collecting sounds from an acoustic instrument that may have representative and main characteristics of that instrument. Then, the sampled sound is modulated to an appropriat ...; The Music Telegraph | 2024.04.08 12:42

Low Frequency Oscillator (LFO) in Synthesizer: Low Frequency Oscillator (LFO) is a type of audio oscillator that operates below 20Hz. For reference, the audio oscillator operates in the audio range of 20Hz to 20kHz. The LFO creates modulation by p ...; The Music Telegraph | 2024.02.19 17:03

Reasons Why Reproducing Piano Sounds with a Synthesizer So Hard: The piano sound has two elements: an initial 'attack' part and a subsequent 'decay' part. The inital attack part can be divided into the very transient sound of a hammer hitting the piano string and t ...; The Music Telegraph | 2024.01.09 15:07

1

QUIZ

메인사진

Audio Electronics (Quiz #2)

Most Read

1

Beyond the VU Meter: The Shift to Peak Monitoring in Audio Recording

2

'Nuances Controller': A Professional-grade, Handmade MIDI CC Controller allowing Ultimate Expressiveness in Your Music Score

3

4

Apollo Sound ‘Middle East Deep House’: An Extra Unique and Authentic Arabic Deep House Sample Pack

5

Sauce Audio 'AirLift': An Advanced Audio Enhancement Plug-in for Instant Sound Quality Elevation with One-Knob Control

6

Review #7 (Digital Audio)

7

Major Label Album Budget

8

Understanding Synthesizer Filters: Shaping Sound through Overtone Manipulation

9

6 Things to Consider for Your Mix

10

Basic Waveforms of Synthesizer: Pulse Wave

MIDI (popular articles)

1

Understanding Synthesizer Filters: Shaping Sound through Overtone Manipulation

Most Recent

Beyond the VU Meter: The Shift to Peak Monitoring in Audio Recording

Sauce Audio 'AirLift': An Advanced Audio Enhancement Plug-in for Instant Sound Quality Elevation with One-Knob Control

Understanding Synthesizer Filters: Shaping Sound through Overtone Manipulation

The Crow Hill Company 'MARSHAL BRASS': An Unprecedented Ensemble, Capturing Gravity and Emotion At Its Core

Create Your Own Version of Synth Patch Using a Synthesizer

About "The Music Telegraph" ㅣ Advertise ㅣ Privacy ㅣ Membership Terms ㅣ Youth Protection Policy (Korean) ㅣ Opinion

Company: The Music Telegraph Ltd | Press Title (제호): The Music Telegraph (뮤직텔레그래프)
Address: 503 Gunseol Office, Gasan-ro 33, Geumcheon-gu, Seoul, South Korea
Tel : +82 10 9256 2759 | Fax: +82 2 3217 0775
License Number: Seoul, 아05458 | Registration Date: 28 Oct 2018
Publisher & Editor: Yong Jin Kim | Publication Date: 16 Nov 2018
Youth Protection Manager: Yong Jin kim
Contact Info: [email protected]
Copyright ⓒ 2018-2025 The Music Telegraph. All rights reserved.