Acoustics

Component parts of Reverb: Sound Fields (3)

The Music Telegraph | Text 2019/02/18 [13:21]
Acoustics

Component parts of Reverb: Sound Fields (3)

The Music Telegraph| 입력 : 2019/02/18 [13:21]

Component parts of Reverb: Sound Fields (3)

 

 

Then, what the Mic hear?

 

 

Answer:

 

 

In Closed filed

1) No sense of environment

2) Impact over tone

- One of the higher tones produced simultaneously with the fundamental frequency and that with the fundamental comprise a complex musical tone: Harmonic

- Pick-up emphasizes the A-D (Attack - Decay) over the S-R (Sustain - Release). “In your face”

- The pick-up will focus on a component of the instrument’s overall tonality

 

 

 

In Near field

1) The environment (- We begin to hear it!)

- Puts the instrument into a specific space => then sense of distance will be happened compare to closed field

2) Tone over impact

- Emphasize now on S-R instead of A-D => “Phatt”

3) The pickup will now reflect the sum of the component parts (overall tones)

 

 

 

 

*Stereo Guitar Miking (for guitar player) 

© The Music Telegraph



 

 

© The Music Telegraph


When we put a Microphone inside of Kick drum:

- We lose fundamentals => Emphasize 'attack'

- Raise 'Degree of isolation'

 

 

 

 

[side trip]

Cross talk

- In mixer (mixing console), this is a phenomenon which a voltage transferred from one channel into another channel, so sound to be heard at two channels at the same time (Leakage of sound signal)

 

 

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