Cases of Microphone Selections (1)

The Music Telegraph | Text 2020/04/03 [13:11]

Cases of Microphone Selections (1)

The Music Telegraph| 입력 : 2020/04/03 [13:11]

 

© Pixabay



Cases of Microphone Selections (1)

 

1. String spot microphones include a U47 on the contrabass, B&K 4011s on violins and violas, a U47 on the cellos, and a KM54 tube on the harp. For keyboards, a pair of Schoeps cardioids are on the piano and a TLM170 is on celesta.

 

 

▲ Neumann U47

© Naver

 

 

 

▲ B&K 4011

© WorthPoint

 

 

 

▲ Neumann KM 54

© PickClick

 

 

▲ Neumann TLM 170

© Thomann

 


2. Woodwinds are miked with a combination of Schoeps cardioids and hypercardioids, which go directly from the mic preamps to DAW. Horns are covered by an AKG C24 stereo mic, bused to mono, as it is being used for angular pickup, as opposed to stereo. Brass have a U47 for overall coverage, with a pair of U67s on the trombones (bused to DAW), a TLM 170 on tuba (straight to DAW), and a Coles 4038 on trumpet, also going straight from the preamp to DAW.


▲ Schoeps cardioid capsule

© Thomann

 

 

▲ AKG C24    

© Reverb

 

 

▲ Neumann U67

© Vintage King Audio



▲ Coles 4038

© Andertons Music Company



3. Percussion is covered with KM84s, except for bass drum, where a KM83 or a Schoeps omni is used. You can bus the percussion according to its position in the room. For example, you select left, center, and right or multiple left, center, and right busing, so that, wherever it's bused, when you remix it automatically appears in the right position in the room, so you don't have to remember where things are. Timpani are miked with a U67 going straight to DAW.

 

▲ Neumann KM84

© Reverb



▲ Neumann KM83

© Madooma





 

Comment
  • 도배방지 이미지


광고
광고
광고
광고
광고
광고
광고
광고
광고
광고
광고
광고