Stereo Compression (1)

The Music Telegraph | Text 2021/04/20 [10:38]

Stereo Compression (1)

The Music Telegraph| 입력 : 2021/04/20 [10:38]

 

▲ Tube-Tech CL 2B Stereo Opto Compressor (top) & SMC 2B Stereo Multiband Compressor (bottom)  

© Wikimedia Commons



Stereo Compression (1)

 

From the previous articles you should be somewhat familiar with the effect of compression on a single channel of audio containing a solo instruments and in combination. Compressing a two channel (stereo) mix is a common application of compression used to increase the apparent loudness of a mix without increasing its maximum level. Basically the approach is to use the compressor to reduce the peaks of a mix and then raise the resulting overall level, thereby increasing average level. This results in an apparently louder mix without signal overload. Compressed mixes sound more "in your face" due to their restricted dynamic range. Radio stations compress their broadcast signal to insure constant clarity and provide as strong a signal as possible to the extremes of their broadcast range.

 

The amount of compression you use should achieve the desired results (in this case, a louder mix) without unduly affecting the mix quality. There will be a few different types of mixes that you will be compressing and the aim will be to get the best sound possible. However, after achieving the desired results, you should feel free to try some radical settings, as this could result in more creative results. The "right" sound is always in the ear of the beholder. 

 

 

 

 

 

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